Tuscan Irrelevancies VII: eyes right

A vibrant, multi-panel early Renaissance painting from the Uffizi Gallery in Florence, Italy, depicting a group of religious figures. The painting's composition is centered on the central figure of St Yves, whose gaze is directed toward the right, where the poor and destitute stand, rather than the left where the rich townsfolk stand.
St Yves administering justice
upstairs of michelangelo‘s david
only an unnamed painter
dismissed as mediocre
(described barely by association
with influencers Agnolo Gaddi and Lorenzo Monaco
themselves hardly tik tok stars in this academy)
empathises with the needy, the orphans and widows
depicts st yves advocate of the poor
ignoring the fawning rich on his left
dispensing small rights to the under side

Tuscan Irrelevancies VI: loss

A photograph of a narrow, quiet cobblestone street in the small, medieval village on Isola Maggiore, an island on Italy's Lake Trasimeno. The image, with its ancient stone buildings and faded plaster walls, evokes a sense of history and the passage of time.

roman legions trudged through borgetto the evening before
camping at lake tresimano where the next June dawn
2241 years ago almost to this day
befogged betwixt the mongrel hordes of Hannibal they were
defeated

cyclists traversing lake‘s circuit criss cross this solo walker
and the lone Kress 1200R robot lawnmower tending its grounds
should they wish sight of the 258 borgetto inhabitants
remaining according to the 2001 census they would be
disappointed

later that day massimo of nearby passignano informs that
borgetto lies at the intersection of umbria and tuscany
occupies the communes tuoro, cortona and castiglione
to which when property taxes are due they are paid
trisected
A wide-angle photograph of tranquil Lake Tresimano  with rolling hills on the far side, under a clear blue sky.
view of castiglione del lago from malpasso gap

Tuscan Irrelevancies IV: EN 60601

Montepulciano vista
this was the panorama around the corner where
the mandatory defibrillator stood casually by

might such placement be
one wonders
in case cardiac excitation
precipitates a need for
immediate resuscitation

In 2021, semi-automatic and automatic electronic defribrillators (AEDs) became mandatory in public places in Italy

Tuscan Irrelevancies III: duomo arigato

An interior photograph of the main altar and high apse of the Cortona Duomo (Cathedral of Santa Maria Assunta). The image shows the ornate chandelier and painted ceiling, capturing the grand and sacred atmosphere of the church.
oh dear it’s not 
Saint Peter’s basilica
the Santa Maria del Fiore
of flowers in Florence
the Venice San Marco
Assisi Saint Francis
or even the Parma
tailing at tenth
of famous duomos in Italy

the Cortona Cathedral
on republic day is alive
with real worship
as three pews of
neighbourhood youngsters
earnest with their parents
consecrate themselves in
the ceremony of first communion

and one not yet of age
kneels in anticipation
of tomorrow’s grace

A mid-distance photograph of the interior of the Cortona Duomo, focusing on the ornate pulpit and a section of the nave. Figures in the pews suggest a ceremony in progress, adding a human element to the grand architecture of the Tuscan cathedral.
A close-up photograph of a young boy in a suit kneeling on the checkered floor of the Cortona Duomo. The image's solemn focus on the child reflects the poem's theme of a 'ceremony of first communion' and the personal significance of the experience.

Tuscan Irrelevancies II: why not Asciano?

A mid-distance photograph of the ancient Tuscan hilltop town of Cortona, with its historical buildings and bell tower nestled into a lush green hillside dotted with cypress and olive trees. The image's quiet beauty and timeless feel serve as a visual counterpoint to the poem's comparison of Cortona's fame to the historical obscurity of Asciano.
Cortona under cloud
Is it your ancient Etruscan walls, melon tombs 
monumental funerary altar
tabula cortonensis
strategic control of territorial swathe

I too have my Etruscan necropolis, Roman baths
central position
anchoring Creta senesi, River Osborne
and torrent Copra

weren’t we both then
largely abandoned by history
suborned by wealth subdued by battle
slumbered through a count of centuries


what sly whimsy decreed that you be
favoured destination for spending sprees
while a-straddle the autostrada
i am the one to fade away

Under the Tuscan Sun

Tuscan Irrelevancies I: roadside encounter

A close-up, low-angle photograph of a small snail with a distinctively striped shell, moving slowly across a gravel road in Tuscany. The image, with its shallow depth of field, draws attention to the subtle beauty of the snail, contrasting with the poem's theme of a trip to iconic Italian landmarks.

It’s a trip marked fully by the fully marked
Portents abounding from Rome to Florence to Cortona
Every step to the Brunelleschi cupola worn by forebears
Every snap in the Ufizi stale before the iPhone is aimed

Sunday afternoon taking out the trash to eco appropriate bins
(Even this task not mundane but meaningfully marked
so glass does not mingle irrelevantly irreverently with gross)
one finally has a roadside encounter shared only with the divine

History is simply

the life my mother lived
A vintage, ornate black sewing machine on a wooden table with a classic iron treadle base. The image of this bygone domestic 'timepiece' serves as a visual element for a poem exploring history and nostalgia during a trip to Penang

and the life she did not
A classic, red, and chrome-plated jukebox with an illuminated bubble-top, a visual reference to a bygone era of music. The image captures the nostalgia of 'old melodies' and serves as a visual element in a poem about history and memory in Penang.

crunched close by curation
into sequence not choice
as if that taste
nostalgia on my tongue
wasn’t paid by her
whom i sometimes glimpse
on Sunday visits
behind faded eyes

Unwoke (aka Narrow Vision Loss)


IMG 2600


my one-eyed day
begins in Munich
with bacon and scrambled eggs
in a business class lounge
because the ticket calls for it
and poetry doesn’t have to be poor
or accessible or full of insight
the crass
the mainstream
the poor privileged
deserve their voice too
properly plural
don’t they



my one-eyed day
ends in Zurich
with a latte in a big blue cup
in a cafe called kweer
because my aching vision is tired
and woman-watching need not oppress
or be exploitative
the gaze
deserves its
unenlightened moment
even if we dare not admit it
and will hide this away
from censors
prone to cancel

rushing into the rain

this is the part of the walk I mark
when the sky grumpy all afternoon
could just as easily clear

that instant when
it could still be fine or storm
familiar as your up or down
daily attending that turn
from balmy to squall 

that instant when 
it growls and downs its load upon 
the families scurrying for shelter

that instant when
i go the other way
rush into the rain
as I have always 
fallen into your pain
The photograph captures a wet, paved pathway alongside a body of water, likely the sea, under an overcast sky. The composition is dominated by the pathway, which angles into the distance, marked by bold yellow and red lines, creating a strong leading line. The muted, cool tones of the water and sky contrast with the vibrant painted lines, and the overall mood is somber and serene, evoking a sense of quiet solitude by the coast.

Sunday at the Manulife Nets

grandpa and ma
will bring them to the Jewel
this weekend

at the entrance they will display
4 tickets to the nets
booked hastily for some time
when promises were forever
because parents are free
and children good at bouncing back

A photograph of adult and child on a suspended, bouncy rope net high above the ground at the Manulife Nets attraction in Changi Airport.