Tuscan Irrelevancies V: feeding time

…on the footpath between Tuoro and Castiglione del lago, fortified by muesli and fruit, others i meet feed as they need

Tuscan Irrelevancies IV: EN 60601

Montepulciano vista
this was the panorama around the corner where
the mandatory defibrillator stood casually by

might such placement be
one wonders
in case cardiac excitation
precipitates a need for
immediate resuscitation

In 2021, semi-automatic and automatic electronic defribrillators (AEDs) became mandatory in public places in Italy

Tuscan Irrelevancies III: duomo arigato

An interior photograph of the main altar and high apse of the Cortona Duomo (Cathedral of Santa Maria Assunta). The image shows the ornate chandelier and painted ceiling, capturing the grand and sacred atmosphere of the church.
oh dear it’s not 
Saint Peter’s basilica
the Santa Maria del Fiore
of flowers in Florence
the Venice San Marco
Assisi Saint Francis
or even the Parma
tailing at tenth
of famous duomos in Italy

the Cortona Cathedral
on republic day is alive
with real worship
as three pews of
neighbourhood youngsters
earnest with their parents
consecrate themselves in
the ceremony of first communion

and one not yet of age
kneels in anticipation
of tomorrow’s grace

A mid-distance photograph of the interior of the Cortona Duomo, focusing on the ornate pulpit and a section of the nave. Figures in the pews suggest a ceremony in progress, adding a human element to the grand architecture of the Tuscan cathedral.
A close-up photograph of a young boy in a suit kneeling on the checkered floor of the Cortona Duomo. The image's solemn focus on the child reflects the poem's theme of a 'ceremony of first communion' and the personal significance of the experience.

Tuscan Irrelevancies II: why not Asciano?

A mid-distance photograph of the ancient Tuscan hilltop town of Cortona, with its historical buildings and bell tower nestled into a lush green hillside dotted with cypress and olive trees. The image's quiet beauty and timeless feel serve as a visual counterpoint to the poem's comparison of Cortona's fame to the historical obscurity of Asciano.
Cortona under cloud
Is it your ancient Etruscan walls, melon tombs 
monumental funerary altar
tabula cortonensis
strategic control of territorial swathe

I too have my Etruscan necropolis, Roman baths
central position
anchoring Creta senesi, River Osborne
and torrent Copra

weren’t we both then
largely abandoned by history
suborned by wealth subdued by battle
slumbered through a count of centuries


what sly whimsy decreed that you be
favoured destination for spending sprees
while a-straddle the autostrada
i am the one to fade away

Under the Tuscan Sun

Tuscan Irrelevancies I: roadside encounter

A close-up, low-angle photograph of a small snail with a distinctively striped shell, moving slowly across a gravel road in Tuscany. The image, with its shallow depth of field, draws attention to the subtle beauty of the snail, contrasting with the poem's theme of a trip to iconic Italian landmarks.

It’s a trip marked fully by the fully marked
Portents abounding from Rome to Florence to Cortona
Every step to the Brunelleschi cupola worn by forebears
Every snap in the Ufizi stale before the iPhone is aimed

Sunday afternoon taking out the trash to eco appropriate bins
(Even this task not mundane but meaningfully marked
so glass does not mingle irrelevantly irreverently with gross)
one finally has a roadside encounter shared only with the divine